The Who’s prodigious catalog of amazing music makes it easy to overlook the brilliance of their debut album, My Generation.1 When I think of The Who, my first thoughts go to Pete Townshend’s iconic guitar windmills, Keith Moon’s ferocious drumming, and Roger Daltrey’s epic vocal howls. My Generation reminds me that–before the grandeur of their 1970s stadium glory–The Who were the champions of the mod scene. Their performances of original songs and U.S. R&B classics, all captured on My Generation, were the soundtrack of many a mid-Sixties Austin Powers-esque party in the London swinger scene.
Released on December 3, 1965 and produced by Shel Talmy, My Generation shows off Pete Townshend’s songwriting, Keith Moon’s innovative drumming, John Entwistle’s melodic approach to low end, and Roger Daltrey’s vocal fire. It’s an all out tour-de-force—four creative energies creating something greater than themselves. “My Generation,” the album’s notable single, is nestled at the end of side one, surrounded by only three cover songs, two of which were penned by the enigmatic James Brown.
For whatever reason, My Generation and its contemporaneous singles, “I Can’t Explain” and “Anyway, Anyhow, Anywhere,” found a special place in the mantle of mod culture. Mods were a special subculture of London that dressed well, listened to sophisticated music, took lots of amphetamines, and drove Vespa scooters. Their archenemies were the Rockers, who dressed in leather and drove tough motorcycles. The mods were likely drawn to Keith Moon’s flamboyant drumming and the band’s sophisticated harmonic core.
My Generation is an album I regret not listening to sooner. It shows the heavy influence of American R&B on a rock band that would later go on to push the boundaries of the concept album and deliver quite a live show. But even on this first offering, The Who push to the outer limits of what had been done with music in 1965. Moon’s drumming is the heaviest yet seen anywhere up until that point. The closing song, “The Ox,” contains distorted guitar tones that predate and sound similar to Jimi Hendrix’s sound.
The Who captured something remarkable with My Generation. Townshend’s songwriting and Moon’s drumming stand out as the most notable elements of the album. Yet Entwistle and Daltry deliver an elegance as well. The weakness of the album is “A Legal Matter,” which has Townshend singing lead vocals on a song bemoaning being married and the droll day to day life of raising children. The song seems out of place on an otherwise mod album. If the 1960s weren’t so single oriented, including the two singles that preceded My Generation in lieu of the album’s minor blemish would have improved the album for me.
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Bonus: Live footage of “My Generation” from 1965. Note how awesome Keith Moon’s drumming is.
| Year | Featured Album | Other Notable Albums |
|---|---|---|
| 1965 | My Generation by The Who | Rubber Soul by The Beatles Bringing It All Back Home by Bob Dylan |
| 1964 | Kinks by The Kinks | A Hard Day’s Night by The Beatles Beatles for Sale by The Beatles |